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Abhinav Deokuliar
Devotional
Rudra Tandav
Abhinav Deokuliar0 likes1 plays6:08
Style: Traditional, powerful Shiv Tandav Stotram with a deep, resonant solo male voice, calm yet commanding, never shouted or overly aggressive. Keep Sanskrit pronunciation very clear, rhythmic and deliberate. Use Rudra Veena as the main melodic instrument, supported by Pakhawaj, Mridangam, Damru, Nagada, Tanpura, Manjira, subtle temple bells and occasional Shankh. Begin with a low Tanpura drone and slow Rudra Veena phrases, then gradually introduce a steady Tandav rhythm around 100 BPM. Percussion should feel strong, earthy and ritualistic, but always remain beneath the vocals. Let the intensity rise naturally through the verses, especially around the “Dhimid Dhimid” section, then soften toward the ending. Keep the mood ancient, sacred, meditative, majestic and Rudra-like. No choir, no female vocals, no screaming, no cinematic orchestra, no synths, EDM, rock guitars or modern electronic sounds.
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Lyrics
Jaṭāṭavī-galaj-jala-pravāha-pāvita-sthale
Gale’valambya lambitāṃ bhujaṅga-tuṅga-mālikām.
Ḍamaḍ-ḍamaḍ-ḍamaḍ-ḍaman-ninādavad-ḍamarvayaṃ
Cakāra caṇḍa-tāṇḍavaṃ tanotu naḥ Śivaḥ śivam॥1॥
Jaṭā-kaṭāha-sambhrama-bhraman-nilimpa-nirjharī-
Vilola-vīci-vallarī-virājamāna-mūrdhani.
Dhagad-dhagad-dhagaj-jvalal-lalāṭa-paṭṭa-pāvake
Kiśora-candra-śekhare ratiḥ pratikṣaṇaṃ mama॥2॥
Dharādharendra-nandinī-vilāsa-bandhu-bandhura-
Sphurad-diganta-santati-pramodamāna-mānase.
Kṛpā-kaṭākṣa-dhoraṇī-niruddha-durdharāpadi
Kvacid digambare mano vinodam etu vastuni॥3॥
Jaṭā-bhujaṅga-piṅgala-sphurat-phaṇā-maṇi-prabhā-
Kadamba-kuṅkuma-drava-pralipta-dig-vadhū-mukhe.
Madāndha-sindhura-sphurat-tvag-uttarīya-medure
Mano vinodam adbhutaṃ bibhartu bhūta-bhartari॥4॥
Sahasra-locana-prabhṛty-aśeṣa-lekha-śekhara-
Prasūna-dhūli-dhoraṇī-vidhūsarāṅghri-pīṭha-bhūḥ.
Bhujaṅga-rāja-mālayā nibaddha-jāṭa-jūṭakaḥ
Śriyai cirāya jāyatāṃ cakora-bandhu-śekharaḥ॥5॥
Lalāṭa-catvara-jvalad-dhanañjaya-sphuliṅga-bhā-
Nipīta-pañca-sāyakaṃ naman-nilimpa-nāyakam.
Sudhā-mayūkha-lekhayā virājamāna-śekharaṃ
Mahā-kapāli-sampade śiro-jaṭālam astu naḥ॥6॥
Karāla-bhāla-paṭṭikā-dhagad-dhagad-dhagaj-jvalad-
Dhanañjayāhutī-kṛta-pracaṇḍa-pañca-sāyake.
Dharādharendra-nandinī-kucāgra-citra-patraka-
Prakalpanaika-śilpini trilocane ratir mama॥7॥
Navīna-megha-maṇḍalī-niruddha-durdhara-sphurat-
Kuhū-niśīthinī-tamaḥ-prabandha-baddha-kandharaḥ.
Nilimpa-nirjharī-dharas tanotu kṛtti-sindhuraḥ
Kalā-nidhāna-bandhuraḥ śriyaṃ jagad-dhurandharaḥ॥8॥
Praphulla-nīla-paṅkaja-prapañca-kālima-prabhā-
Valambi-kaṇṭha-kandalī-ruci-prabaddha-kandharam.
Smarac-chidaṃ purac-chidaṃ bhavac-chidaṃ makhac-chidaṃ
Gajac-chidāndhakac-chidaṃ tam antakac-chidaṃ bhaje॥9॥
Akharva-sarva-maṅgalā-kalā-kadamba-mañjarī-
Rasa-pravāha-mādhurī-vijṛmbhaṇā-madhu-vratam.
Smarāntakaṃ purāntakaṃ bhavāntakaṃ makhāntakaṃ
Gajāntakāndhakāntakaṃ tam antakāntakaṃ bhaje॥10॥
Jayatv adabhra-vibhrama-bhramad-bhujaṅgama-śvasad-
Vinirgamat-krama-sphurat-karāla-bhāla-havyavāṭ.
Dhimid-dhimid-dhimidhvanan-mṛdaṅga-tuṅga-maṅgala-
Dhvani-krama-pravartita-pracaṇḍa-tāṇḍavaḥ Śivaḥ॥11॥
Dṛṣad-vicitra-talpayor bhujaṅga-mauktika-srajor-
Gariṣṭha-ratna-loṣṭhayoḥ suhṛd-vipakṣa-pakṣayoḥ.
Tṛṇāravinda-cakṣuṣoḥ prajā-mahī-mahendrayoḥ
Sama-pravṛttikaḥ kadā Sadāśivaṃ bhajāmy aham॥12॥
Kadā nilimpa-nirjharī-nikuñja-koṭare vasan
Vimukta-durmatiḥ sadā śiraḥ-stham añjaliṃ vahan.
Vimukta-lola-locano lalāma-bhāla-lagnakaḥ
Śiveti mantram uccaran kadā sukhī bhavāmy aham॥13॥
Imaṃ hi nityam evam uktam uttamottamaṃ stavaṃ
Paṭhan smaran bruvan naro viśuddhim eti santatam.
Hare gurau subhaktim āśu yāti nānyathā gatiṃ
Vimohanaṃ hi dehināṃ Suśaṅkarasya cintanam॥14॥
Pūjāvasāna-samaye daśavaktra-gītaṃ
Yaḥ Śambhu-pūjana-paraṃ paṭhati pradoṣe.
Tasya sthirāṃ ratha-gajendra-turaṅga-yuktāṃ
Lakṣmīṃ sadaiva sumukhīṃ pradadāti Śambhuḥ॥15॥